Or, a return to the roots of Western culture
Is it simple coincidence that Hollywood in recent years has seen the making of a series of movies that deal with the historical and mythic origins of ancient Europe? First we had 'Troy'. Then 'Alexander'. Then 'Kingdom of Heaven'. And now '300', dealing with the battle of the Spartans under Leonidas against the Persian Empire under Xerxes (if I remember my ancient history correctly). Granted, 'Kingdom of Heaven' deals with the Crusades - but the Crusades, taken as a whole, represent a seminal period in Europe's development of itself as an idea, and as an attachment to which a man could feel loyalty, for which he might even be willing to die.
I think the victory of the Allies over Nazism, and over the simpler and more martial forms of fascism in Japan and Italy, saw the apotheosis of the Idea of Europe as a civilizational center the values of which, while always subscribed to in terms of nationalism and interpreted through the lenses of different national characters, were almost universally agreed upon. The rule of law. The primacy of Sovereign Authority, expressed either through the political fiction of 'the Crown in Parliament' as in Britain and Austria (prior to WW1, in Austria's case), or through the existence of national Parliaments in other parts of Europe. Freedom of individual speech. Freedom of the Press. Freedom of intellectual inquiry, unrestricted by political or theological dogma. The right to assemble for legitimate peaceful protest. Habeus Corpus, and freedom from unlawful interference by the State not warranted by due process.
It's this general framework of ideas that constituted the 'soul' of Europe and to which Europeans of evey quality and estate gave their allegiance as something which defined them against the rest of the world. The victory over Nazism and fascism more generally was its crowning achievement - after which came a long, complacent pause during which the reassurance of that victory degraded from hard fought (and barely won) testimony to the resilience and natural strength of a culture, to a political shibboleth indicating membership in a political and cultural 'club' which could only go forward to greater and greater victories.
After all, 'we' won the war, the most hideously destructive conflict ever engaged in by man, didn't 'we'? The use of the apostrophes indicates the mood of our time, not theirs. The aftermath of WW2 in Europe saw the continent's division (literal and ideological) in the combat between Capitalism and Communism. Every aspect of European unity of ideas and values was suborned to the ludicrous simplicity of a single question: 'Are you now, or have you ever been, a member of the Communist Party?' If you were fool enough to answer 'yes', or unfortunate enough that the circumstances of your life might lead to the imputation of that answer by those in power, then you ceased at once to be a citizen of that world of ideas and became instead the vilest traitor, the most depraved heresiarch, the bitterest enemy, of all that was good and true in the world.
It would have been better for all of us if Mrs. McCarthy had strangled her son as soon as he was delivered.
The aftermath of WW2 also saw the collapse of social structures that had endured for millenia within the nations of Europe. It saw the destruction of the fixed extended family and the rise of the itinerant nuclear family. It saw the collapse of political relationships and ties that had existed for centuries between the nations of Europe and their colonies. Here I think particularly of the spectacularly rapid collapse of the British Empire - upon which the sun was never to set - and its replacement by the 'British Commonwealth of Nations', that occasionally amiable but more often fractious 'family meeting' of Britain's former colonies, which resembles nothing so much as a gathering of resentful children around their senile and continually declining (but never quite moribund) Paterfamilias.
While none of these things are necessarily bad in themselves, and gave rise to an enormous increase in the power of the individual to shape his or her life in ways he or she saw fit, their cumulative effect was most often to trigger a collapse into simple hedonism and resentful rejection of what had come to be seen as the repressive social (and especially sexual) mores of Old Europe. A collapse and a rejection facilitated and greatly enhanced by the pervasive terror of nuclear annihilation that was also a legacy of the end of WW2 and an immediate consequence of the Cold War between America and the USSR.
How different would the world now be if, as some American Generals had wished, the USA had immediately turned its attention to the destruction of the USSR at the end of the war in Europe? There is no denying that it could have been done, had the will to do it been there. There would have been no Cold War, no institutionalized European schizophrenia, no threat of nuclear destruction, and - perhaps, in consequence - a Europe capable of sustaining the values which had permitted it to defeat the Nazis and the fascists. Had such a situation come to be, then perhaps Europe might have more effectively resisted the cultural ravages of triumphant Capitalism and succumbed less willingly and less completely to the commodification of everything which is the natural outcome of Capitalism. Where every value is a market value, and no more than a market value, then no value is worth risking your life for.
No American soldier is urged to risk his life in Iraq so that Halliburton can increase its profits. Instead he is urged to defend Family and Country, to secure the American way of life against those who would destroy its values. In other words, soldiers are exhorted to fight for values which had a place in both Europe and America prior to WWs I and II, but which barely maintain their existence in the world after the collapse of Communism, after Korea and Vietnam, after the assassination of Kennedy and the moral and ethical abomination that is the legacy of Johnson's 'Great Society', after Nixon and Watergate, after the gross lies and deceptions that lead the American people into the ongoing disaster that is Iraq.
The West now, as its enemies perceive with burning clarity, is lost in a slough of cultural despondency and cynicism, utterly unable to see its way forward and just as unable to see anything of value in its past. So phobic have we become about our history that we now break our spines bending over backwards in the effort to accommodate the stranger and the alien, to properly value our 'brothers' and 'sisters' in a grand multicultural experiment that, even in America, is collapsing under the weight of its egregious folly.
It's time to stop. As I have said elsewhere - Honkys Unite! (Link) The question is not whether such a thing is necessary (it is) but how it's to be done.
A culture derives its strength from its memory of the past. In times of great cultural confidence and strength the past, through reminding us of the follies and defeats of our ancestors, teaches us to avoid hubris - hubris of the worst sort being the motive behind our involvement in the bedlam of Iraq. In times of cultural weakness, decay, and fearfulness, the past teaches us what we have overcome and what we have achieved.
Already I can hear the screams of outrage from all those who think the culture of the West to be nothing more than a vehicle for tyrrany and oppression, and the White Man to be nothing more than a moral leper, denying that the Crusades, in particular, achieved anything. Firstly, they achieved the slaughter of countless thousands of our enemies - which is always a good thing. Secondly they achieved the establishment of the Kingdom of Jerusalem, which lasted for a century and facilitated the development of trade in goods and ideas between Europe and the East. And thirdly, it taught us what we are willing to do and to bear for the sake of things we value.
The Crusades cause such scandal now because those who took part in them are close to us in terms of chronology, but also in terms of values, thoughts, ways of life. We can see ourselves in them more clearly than in those who lived in the Ancient World. Nonetheless, Homer and his tales of the Trojan War, and the history of Leonidas and his 300 who died resisting (and defeating) thousands, are part of the deepest cultural roots of Europe, and since America has its roots deeply embedded in Europe, they are part of the cultural development of America also.
And since no American believes anything to be real unless he's seen it on TV or at the Movies, it's perfectly logical that Hollywood, seeing the economic opportunity in cultural malaise and pervasive fear, should return us to those roots. Not in any attempt to re-educate or inspire but through the purely Capitalist motivation of making a profit. Whatever the motive for doing so, and as unlikely a standard-bearer for cultural regeneration as Hollywood seems, there is no doubt in my mind that it's through a return to these primal stories that we will pull ourselves, by our own bootstraps, out of the decline that encompasses us and from which, or so it has appeared till now, there is no escape.